Roe Islet series
acrylic on panel
Painting has been going well over the last few months. Switching to panel and a square format seems to have allowed the work to flow naturally off the brush. This painting is acrylic on panel and measures 24″ by 24″.
Roe Islet (Pender Island, BC, Canada) continues to be a source of inspiration for my paintings, and I am sure by the time I have exhausted all the painting possibilities I will know every rock and tree on the islet. The arbutus amaze me in the way they twist and turn, and the red of the trunks is hypnotizing.
Artwork by Debra Hunter
(Red Deer, Alberta & Pender Island, British Columbia, Canada)
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I though it might be fun to work through the progression of a painting I finished recently. With the majority of my paintings I use photographs I have taken as a starting point. Generally they are shot with painting specifically in mind. For this particular painting it was a photograph taken on Roe Islet on Pender Island (BC, Canada).
Working from a photograph makes sense. A busy family with busy children does not mix well with working on location. Generally I shoot a ton of images, edit down the ones I want to paint from, and then I email them to my iPad. Working from the iPad has taken a bit of figuring out, I’ve been doing it for about 6 months. Overall I think it is a better way to work than from a flat photograph on paper. I find I don’t get as hung up on the details and feel I have more license to tweak things. I can also carry around the iPad to think about the next step. I will often shoot the “work in progress” on the iPad so that I can look at it too while plotting the next step. Interestingly my favorite photography images are rarely my favorite images for inspiration for a painting.
With this painting I decided to do an “inspiration” painting first. It is a small 4″x6″ acrylic on panel. I get bored with the idea of doing sketches, however the idea of a mini painting made sense. A small investment of time and materials gave me a sense of what I liked about the painting and what I would change. It also meant that by using the same materials (acrylic and panel) I knew exactly what I was working with color and technique.
The final painting evolved a little further as I worked from both the iPad and the 4×6 painting. The sky and water gained more interesting color combinations, the hills pushed back to create more distance, the leaves lightened up, the tree trunks got swoopier, and there were some nice pops of red. I really like the swoopy trunks and the reds; they will be making a return appearance in another painting for sure.
Even as I write this blog post I am discovering more. It is interesting looking at this progression as it is presented together here in the same format. I am seeing the value in doing the small painting first and how it helps make sense of the information, especially when there is a lot going on as is the case on the right hand side of the view. It is very interesting looking at these three images together.
Photography and art by Debra Hunter.
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